The project started on the 1st of September, 2018, and will run three years until 31st August, 2021. Please check this site in the future for the most recent publications.

This Is Our Night: Eurovision Again and Liveness Through Archives

Book chapter by Abby Waysdorf, published in Pandemic Media: Preliminary Notes Toward an Inventory (202o)


Due to the COVID-19 pandemic, there was no Eurovision Song Contest for the first time in 65 years. For fans of the contest, this was distressing, at a time when life was distressing enough. Without the live event to watch and comment on, how could they participate in their fandom and connect with fellow fans? In this essay, I look at how the fan initiative Eurovision Again works to solve this problem by recreating the experience of live viewing through the use of archives. Throughout the lockdown, Eurovision Again has chosen a “classic” Eurovision Grand Final for a Saturday night viewing, complete with Twitter hashtag and voting. I argue that in combining the “shared social reality” of live viewing with the shared culture of archives, Eurovision Again serves to sustain and reinforce a “Eurofan” identity while providing a break from the anxiety of everyday pandemic life.

Read the chapter in Pandemic Media: Preliminary Notes Toward an Inventory (2020, Meson Press) here.

“Great Stuff!” British Pathé’s YouTube Channel and Curatorial Strategies for Audiovisual Heritage in a Commercial Ecosystem

Paper by Eggo Müller, published in VIEW Journal 7, 2018


In 2014, British Pathé launched its YouTube channel with more than 85,000 items of audiovisual heritage from the 20th century. This article analyses the curational strategies of this channel as developed by the German multi-channel network Mediakraft. Read more


European History Reloaded: Curation and Appropriation of Digital Audiovisual Heritage | | © 2019

Header video by Michal Orsava © 2019